Luckless Love

3-D rendering of the print edition, Luckless Love, a sweet romanceLuckless Love Releases November 18!

Next week will see the release of Luckless Love, a contemporary “enemies to lovers” romance with a hint of “mistaken identity” set in Eastern Washington with a “happily ever after” ending.  This standalone novel was fun to write, but more fun to research. The story revolves around a winery and it’s head enologist (that’s wine maker for us less fancy people) who falls for a new-to-town photographer.  To be fair, Juel Lugo, my co-author did the most research, I just tasted the wine.  And I was very much OK with that division of labor.

Did I Learn Anything?

Yes, I did! Dom Perignon is not just the name of expensive champagne. He was a real person who helped in the invention of champagne.  The people of Champagne wanted to make it more bubbly and Monsieur Perignon figured it out. This fact is of zero relevance to the plot of Luckless Love, but I still enjoyed learning it. Each section of Luckless Love does come with a wine recommendation and I hope that readers enjoy trying new wine as much as my co-author and I did.

So What is the Book About?

Photographer, Simone Laurent is homeless, loveless, and luckless when her motorhome conks out on the last leg of a year-long road trip. Arriving at Ryan’s Garage in the small town of Luckless Washington, Simone meets Jordan Ryan, the grumpy wine-maker from the Amante Winery, and mistakes him for a mechanic. But while sparks and tempers flare, normally sunshiney Simone is still unable to pay for repairs to her motorhome. Simone sets out to get a job, vowing to dismiss all thoughts of the sweaty “mechanic” from her mind. But that’s hard to do when Jordan turns out to be her new boss. But while Jordan and Simone are determined to focus strictly on the big wine event coming to town, their friends, family, and Cupid have other plans. With the crush coming from more than grapes, this hapless duo will need all the help they can get to make sure they end up in Luckless Love.

Luckless Love is a wholesome standalone rom-com, full of quirky characters, laughs, true love, and a guaranteed happily ever after.  The print edition is now available! Follow the links below to get your copy!

AMAZON: https://amzn.to/4dfmAO6

GOODREADS: https://www.goodreads.com/book/show/216958888-luckless-love

 

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Bethany Maines is the award-winning author of action-adventure and fantasy tales that focus on women who know when to apply lipstick and when to apply a foot to someone’s hind end. She participates in many activities including swearing, karate, art, and yelling at the news. She can usually be found chasing after her daughter, or glued to the computer working on her next novel (or screenplay). You can also catch up with her on TwitterFacebookInstagram, and BookBub.

Can I be a Co-Writer

A Co-Writer Spills the Beans

image of Luckless Love, from co-writing team Bethany Maines & Juel Lugo, on a e-readerIn my upcoming release, Luckless Love, my heroine is returning from a year long road trip and searching for someplace to belong.  Wanting to belong to a community is a universal theme that I think appeals to readers, but when I started to write the book, I didn’t immediately leap to that theme.  I had to explain my reasoning for using it to my co-writer—Juel Lugo.

Luckless Love started out during COVID when Juel who is my business partner in real life and I took a script writing seminar on how to write a Hallmark movie.  We both felt that we could write one, and with too much time on our hands and since we were in each other’s COVID pods, we gathered around a computer and took notes on how to write a Hallmark movie.

What Are Your Co-Writer Goals?

Juel is not particularly interested in being an author.  She doesn’t want to do the work of putting words on a page, but she is endlessly interested in stories and structure.  As a life-long reader, and marketing expert, she knows that stories are what move the human psyche.  So our deal was that she would do the bulk lifting on inventing the plot. I would walk her through how to outline and then I would do the actual writing.  But that meant that we had endless discussions on our characters, their motivations and how to get them to fulfill their plot obligations.

I don’t know how other co-authors work together, but with over ten years of experience in working with each other, we managed to make it through the outline with very little disagreement.  Having both taken the seminar we both could recognize when we were deviating from the Hallmark pattern.  And then we could also agree when we were fine with leaving that path.  Hallmark has a lot of constraints about how serious or realistic things can be (don’t mention divorce or cancer!), which is understandable for their brand, but for writing a novel it can feel like the characters are lacking in depth.

Did We Make it the End?

So did we make it through the writing process with our friendship and partnership intact?  Absolutely. It was a fantastically distracting project during a time when we very much needed one.  It was also fun to take on a challenge that neither of us had done before.  The script version achieved a PNWA Literary Contest Finalist ranking and we are quite proud of our little romance novel.  We’re looking forward to it’s upcoming release on November 18.  Check out the links below if you’re also interested in a sweet romance, all about wine, second chances and finding some place to call home.

AMAZON: https://amzn.to/4dfmAO6

GOODREADS: https://www.goodreads.com/book/show/216958888-luckless-love

 

Creativity

Is it Creativity or Goddess?

As someone who works in a creative field professionally, I’m endlessly interested in how creativity functions. Where does anyone get their inspiration?  Heck, where do I get my inspiration? The Greek idea of a muse—a goddess who comes by to inspire an artist—makes sense to me because sometimes ideas do feel external to myself.

Well, how did you come up with that?

Well, first I was doing the laundry while listening to Pandora (can’t get away from those Greek myths today, can I?) and the song used the phrase “bad for business” which reminded me of Risky Business, which made me think of Tom Cruise, and then I started to wonder why so many people were confused by the original Mission Impossible plot.  Thirty minutes later, I was jotting down an idea about what would happen if a demon burst through the floor of a non-profit fundraiser.  Basically, I came up with the idea by having a lived experience and feeding it all into the hopper of my brain and letting everything pinball around like one of those kid’s mower toys with the balls that go pop-pop-pop.

So You Live With that Brain All the Time?

I do!  And I like it!  I worry about people who can’t connect completely random dots.  Don’t they get bored just going from A to B to C?  It’s so much better to go A to Q to C to R.  But that’s not to say that creativity is just something that happens.  There are ways to lure the muse into the house and trap her in a box.

To be clear, I’m referring to a computer where my muse has full reign to create whatever she wants. We are not shoving women in boxes over here. (I never saw Boxing Helena, but I have been troubled by it since I read the back of the box in a Blockbuster in the 90s.  Who greenlit that?!  Don’t Google it.  You’re happier not knowing.)

The trick is to gather both the correct input (Read books! Watch movies! Experience the creativity of others!), and make sure I have the space and time to create. But probably my number one trick is to look for a problem to solve.

What problem?

I love James Bond, but when I wrote my first novel, there weren’t a lot of female spies in the marketplace.  So I solved that problem.  I wrote Bulletproof Mascara about a girl who starts by selling make-up and ends up saving the world. Check out my my full catalog to see what other problems I’ve solved.

BethanyMaines.com/catalog

Sasqwatch!

The Sasqwatch Film Festival

Last year, I connected with a Canadian film director who was looking for a fast, funny, crime-centered short script. Of which I had… zero.  But what I did have was a stack of short stories.  So I transferred one of my short stories to script format.  He loved it, optioned it (that’s put it on hold in movie terms) and then produced it. It was a fantastic collaborative process and I loved seeing what he did with the script.  Once the short film was complete, it was submitted to a variety of film festivals (including Sasqwatch Film Festival).  Unfortunately, I wasn’t near to any of the festivals that accepted the film.  And I wanted to see MY movie on the big screen.

But finally…

Then it got accepted into the Sasqwatch Film Festival in Vancouver BC.  Which is well within driving distance for me in Washington State. So we farmed out the kiddo to my brother and invaded Canada!  And then, after four hours sitting down in the car, we sat down in a darkened theater and watched Suzy Makes Cupcakes and a slate of other shorts.

So, it’s about cupcakes?

No. It’s about crime. And cupcakes.  But mostly it’s about a woman who got married young to an abusive jerkwad who works for a crime syndicate.  Suzy wants out of the life and away from her husband, but how to do that? Well… you come up with a plan, you make some cupcakes and then you see where the day takes you.  But you do it all in twelve minutes or less because this is a short film after all. The short story version of the story made it’s debut at Noir at the Bar in Seattle and you can hear me read it in the recording from KUOW.

Was Sasqwatch everything you hoped?

Yes, actually it was. While it was a bit weird to hear people saying words that I made up, it was so fantastic to see it on the big screen. The director Jayson Theirren also flew into town and we got to meet in person for the first time.  Afterwards, we all got drinks and talked movies, movies, movies.  Then my partner and I went out for dinner, ate too much, and had a lovely evening out in Vancouver sans child. So basically, it was all that I hoped for and more.

Valentine’s Noir

Noir? No Are? Nwar?  What now?

Noir at the Bar Event Announcement for 2.15.14 - shows a martini glass with a swirling green liquid that forms a skullI occasionally participate in an author event called Noir at the Bar. Local writers bring crime and “noir” themed stories to scandalize listeners with tales of the seedy underbelly of society.  Oh, and also to drink, socialize and terrorize ourselves by reading in public.  This time around our date falls on the day after Valentine’s Day and our ring leader has decreed it to be a night of lost love, long hangovers, and doomed romance.  It’s Noir at the Bar – Heartbreakers Edition.

So What Kind of Noir Are You Writing?

True confession time… I’m terrible at noir.  I have a general lack of depression and tend to write characters I like. And since the nihilistic outlook seems to be the hallmark of noir that kind of makes me Noir-light at best.  So usually I write crime stories about characters who have managed to get themselves into a little bit of a pickle or are trying to get ahead for once.

Story Time…

This time out I’m reading The Rage Cage. I got the idea for this story from a therapist friend of mine who mentioned that one of her clients worked at a rage cage, and then of course, I had to ask, “What’s a Rage Cage?” It’s an establishment that let’s you smash everything.  If you’ve ever wanted to reenact the printer beat down scene from Office Space, they can make that happen for you.  They have enumerable objects to smash and lots of things to smash them with. I don’t know if it’s any cheaper than therapy, but you might get a work out.  And they find those smashable items in auctions of online storage units.  If someone forgets to pay their storage unit, the storage company will auction off the units.  Usually, someone will buy these contents sight unseen, pick through and sell what they can for a profit.  But a rage cage business is looking for breakable items. But that got me thinking about just what kind of items might turn up in those storage unit collections…

The Rage Cage

When Amber, the manager at the Rage Cage, stumbles on her ex-husband’s belongings among the items from a storage unit auction, she learns a secret that changes everything about her marriage and concocts a plan for revenge.

So wish me luck as I venture forth out into… gulp… the public and read The Rage Cage to it’s very first audience.

Movie Making

Movie poster for Suzy Makes CupcakesLet’s Make a Movie!

I’ve have often been told that I write “cinematically”.  I don’t know what that means exactly, but like most writers I’d love to have a movie made of one of my books. And for the past few years, I’ve been experimenting with writing scripts. I took a seminar on how to flip novels into scripts, bought a few books and worked on what are known as “spec” scripts.  Scripts that no one has commissioned, but you feel like writing anyway. I find that concept hilarious.  No one calls a writer’s unpublished novel a “spec” novel.  Although, I suppose that it is. I find the script writing process interesting, the format challenging, and the idea that I could see my work on the big screen exciting.

What I’ve Learned

Along the way I’ve found out some interesting things.  I’ve also found that a novella is about the perfect length to make a TV length movie.  A full novel is… a lot.  Which makes me even MORE impressed with those adaptations that managed to be something great or even come close to capturing the flare of the original novel.  For instance, I believe Brian Helgeland and Curtis Hanson who adapted LA Confidential  has earned a place in screenwriting heaven–James Ellroy’s novel was massive, sprawling and noir to the bone.  The movie managed to condense it down and make it acceptably noir to audiences (which is to say we had characters that we actually liked).  If you haven’t seen–go watch it.  If you haven’t read it… meh.  Only read if you like (well-written) dark heart of humanity stuff where no one is an actually good person.

I’ve also begun to question whether anyone in Hollywood actually reads.  With novels, an author finds a beta reader(s) to critique the book and then we polish it up.  After that we send off a synopsis and blurb and maybe a few pages to an agent or publisher, who probably has the intern vet the submissions (completely reasonable).  If it ticks their boxes they ask for the complete manuscript and read it.  With movies… You pitch something to someone (if you know the someone) based on a logline.  And if they like it you send in a one sheet with the blurb or synopsis and pitch it MORE.  But to get someone to actually reads the full script and give a critique or edits?  For that you have to submit to a contest or pay someone.  So novels have a more clear cut path forward and movies are a bit… scrap it out and hope you get lucky.

Successes so Far

But… I did get lucky! Through the help of a random friend on Twitter (or whatever it’s being called this week) I sold a script based on my short story Suzy Makes Cupcakes.  It is currently making the festival circuit and picking awards and nominations as it goes.  And now I have a credit on IMDB (Internet Movie Database).  How crazy is that? Suzy won’t be available to watch by the general public until next year, but if you want to read the story it was based on, you can check it out in Shotgun Honey: Recoil.

Have I learned anything else from making a movie?

I’ve learned that movies are far more collaborative than I even pictured.  I’ve learned that an actor can make something I wrote absolutely sing.  And I’ve learned that watching having something I wrote exist outside my head is a little bit trippy.  And I can’t wait to do it again.

Next Stop: The Islands

Quote from An Unseen Current: This island is full of private little wars. Mostly it just pays to be polite and keep your head down.Ahhhh…. The Islands

Sounds so dreamy and vacation-y, doesn’t it? I’m working on book four of my San Juan Islands Mystery series.  A book that I have been swearing that I will get to for about three years. And I’m finally doing it! And good lordy do I hate the islands. It’s not vacation. It’s a slog.  All of which is completely unfair to the islands. It’s not their fault that I’ve been procrastinating.  Or that I named three different people Cooper.  Or that I chucked out at least three different plots before I got to this one.

So Whose Fault is it?

Oh.  Yeah. It’s mine.  But taking responsibility really throws off a good rant. Part of the problem is that past self did not set me up for success. At three books in, you would think that I would do what I usually do with a series – start a spreadsheet.  Keeping a spreadsheet of characters names, a general description, and what books they appear in really cuts back on how many people are named Cooper.  (We’re now down to one.  The other two got magical name changes.) But when I started the series I didn’t intend for it to be a series. It was supposed to be a fun standalone mystery about an ex-actress and her ex-CIA agent grandfather solving mysteries in the islands of Washington State. The problem is that Tish and Tobias Yearly are funny and fun to hang out with.  Also, they just keep finding bodies, so… they keep needing more books.  It is not my fault.  It’s theirs. Blame the Yearlys.

And What Are You Going to do About it?

Keep better notes? I really am trying this time.  I revived the spreadsheet.  Added all those extra people I forgot about.  And I’m swear I’m this close >< to being done with book 4 – An Unfinished Storm.  Tish and Tobias are battling life, love, and Hollywood and trying to keep a police detective from jumping to some very wrong conclusions.

a banner showing the 3 book covers for the San Juan Island Mysteries

If you’re interested in Tish and Tobias Yearlys journey through the San Juan Islands, you can find out more from all the usual book selling suspects or here: https://bethanymaines.com/sanjuanislandmysteries/

A Christmas Novella & a Craft