I’m not supposed to be writing this. I have a pretty stiff yearly schedule on what I intend to write. And while blogs are on my schedule, I have currently abandoned all sanity and schedules and have started committing time to a project that is NOT on the calendar. I should currently be writing my San Juan Islands #3. Unfortunately, while I had a fantastic idea for the opening, my idea pretty much stopped there. And an inciting incident does not a plot make. But after I stared and stared at the screen and then stared some more, nothing was coming to me. So I started doing a writing exercise to get the creative juices flowing and now… I can’t stop.
I think I’ve fallen in love with my own characters. They keep popping up with more things for themselves to do. And I keep thinking, “What a great idea! I’m sure that will only take me twenty minutes to jot that down.” Note to self: nothing you want to write takes twenty minutes. And now my cushion of time for making my deadline is whittling down and I’m actually starting to worry. So if you’ll excuse me, I’m going to stop writing this and stare at my screen and try and figure out why Tobias is in jail.
Recently, I was going over the edits from a beta reader on my forthcoming mystery novel – Against the Undertow (sequel to An Unseen Current). I was excited to read over the notes because the reader had been pretty enthusiastic verbally about the book and I was looking forward to easy edits (for once). Beta readers usually give critiques on story elements, spot plot holes, and generally let an author know if something is working or not. They can do line edits and spot typos, but frequently that’s a separate gig because the mental focus for each job is quite different. Because of that, I usually tell my beta readers to treat typos like terrorists on the train in New York – if you see something, say something – but don’t go looking for them. Which is why I laughed when I got to this note:
I didn’t take note of typos except for one I thought I’d mention: on p. 76 you meant perennial and instead wrote perineal.
That is indeed a typo worth mentioning and I promptly laughed and shared it with about eight people. But it got me to thinking about some of my other slips of the fingers. Here’s a couple that I thought worth noting.
He knew he would get some carp for it. Yes, because fish are often given as a sign of disapproval.
Stalking feet. Because he has those feet that just will not stop violating restraining orders.
I’m going as troll. Many problems here. Including missing the word “for” and a misplaced space around the S. But if you want to go for a stroll as a troll, apparently I will let you. Gotta look out for those trolls.
Desserted is not, repeat not, the same as deserted. I wish it was. I wish I could be desserted ALL the time. But cake is not a healthy breakfast choice.
As I continue to write, I’m sure I will make many more typos. I hope that at least a few are as good these ones.
2018 is set to be a very big year for me. I have been working feverishly through 2016 and 2017 to bring out multiple projects and 2018 is the year that many of those projects are bearing fruit. Take a peek at my upcoming releases!
February 13 – Galactic Dreams (Just in time for Valentine’s Day!)
I will be part of a new series from my publishing company called Galactic Dreams featuring stories that are part science-fiction, part fairy tale, part romance and all adventure. Galactic Dreams Volume 1 will feature 3 novellas of fairy tales “reimagined for a new age—the future,” including Soldier, Princess, Rebel Spy (Mulan) from Karen Harris Tully, Aurora One (Sleeping Beauty) from the Stiletto Gang’s own J.M. Phillippe and When Stars Take Flight (Thumbelina) by me. Pre-orders will be available next week, but if you want a chance two win 2 of the three stories for free, check out the rafflecopter below!
When Stars Take Flight – Kidnapped by the To’Andans, tortured by the Moliter, and rescued by Sparrow Pandion—a spy who hides a secret pain—Alliance Ambassador Lina Tum-Bel is up against a galaxy full of trouble as she attempts to rebuild the Interstellar Alliance. Her training says that she can’t trust her handsome rescuer, but maybe together, she and Sparrow can learn to fly.
April – Shark’s Bite
Book 2 of the Shark Santoyo Crime Series returns to the suburban underworld of teenage drug dealers and gang enforcer Shark Santoyo as he tries to figure out what to do with a bowling alley and an ATF Agent who is out to get him.
June – Against the Undertow
The sequel to An Unseen Current will finally be available in June. This quirky cozy mystery series features 87 year-old, ex-CIA agent Tobias Yearly and his granddaughter Tish bickering, tackling home improvement projects, and solving mysteries in the San Juan Islands of Washington State. In Against the Undertow, handsome Sheriff’s Deputy Emmett Nash, was just accused of murdering his ex-wife’s boyfriend, and Tish and Tobias must face down hippies, cops, and psychotic event planners to solve the mystery and save their friend.
October – Shark’s Hunt
One Shark just isn’t enough. This time, Shark is back in the city and facing some serious problems as a gang war erupts.
December – A Christmas Short?
Maybe. We’ll see if I make it December.
Recently, I’ve been working on the sequel to my murder mystery An Unseen Current. While thematically not that different from my other books (a young person struggles with unusual circumstances while navigating the choppy waters of family, love, and friends), mysteries bring a special level of challenge to the mix. For one thing, people expect clues. Oh, there’s a dead body? Well, writer, where are the clues? Chop, chop! Produce the clues!
However, it’s not just about clues; it’s about when to reveal those clues. Too early and readers are bored because they already solved it. Too late and it seems like the author is cheating and wedging information to justify who the killer is at the last second. Then, even if the writer does pop a clue in the right place, she can’t be too precious about it. The author can’t present it on a silver platter with a neon arrow stating: Clue Here!! To accomplish the correct where and when of clue placement requires a stronger outline than other genres. And that means that I must do what every writer hates doing—not writing.
Outlining and the synopsis are vital to a successful book. But they aren’t the FUN part of writing. The fun part is churning out scenes and spending time with the made up people who populate my brain. Outlining requires problem solving and all the leg work of deciding back stories and motivations and the literal who, what, when, where and why of who was murdered. (It was Professor Plumb in the Library with the Candlestick, in case you were wondering.) But mostly it leaves me thinking: Are we there yet? What about now? Can I start writing now?
So wish me luck as I work out the kinks of how the dead body ended up behind a bar in Anacortes.
You never know what’s beneath the surface.
When Seattle native Tish Yearly finds herself fired and evicted all in one afternoon, she knows she’s in deep water. Unemployed and desperate, the 26 year old ex-actress heads for the one place she knows she’ll be welcome – the house of her cantankerous ex-CIA agent grandfather, Tobias Yearly, in the San Juan Islands. And when she discovers the strangled corpse of Tobias’s best friend, she knows she’s in over her head. Tish is thrown head-long into a mystery that pits her against a handsome but straight-laced Sheriff’s Deputy, a group of eccentric and clannish local residents, and a killer who knows the island far better than she does. Now Tish must swim against the current, depending on her nearly forgotten acting skills and her grandfather’s spy craft, to con a killer and keep them both alive.
Promotion, for a writer, is the seventh ring of hell. By nature we are quiet types who like to sit at home in our PJ’s, eating things like cereal and wine out of boxes and inventing people to talk to. (Yes, I’m aware that’s also the description of crazy people, but I don’t think we need to point that out at this juncture – thank you very much.) So promoting the book, being out in the public, is a terrible fate. Only slightly less awful is talking about promotions in front of other authors. (Oh God, oh God, oh God, what if I’ve been doing it wrong? They’re all going to know I’m a fraud!) But since my other job is a graphic designer, I’m privy to a great marketing secret: you can’t do it wrong because none of it works. Or all of it works depending on your point of view.
Legend has it that when Google presented all their brand new ways of tracking online digital ads to Viacom President and one-time ad man Mel Karmazin, he blurted out, “You’re fucking with the magic!” But the paradigm of ads and marketing being more art than science is still more true than anyone would like to admit, even in this age where digital data practically streams from our ears. Digital tracking will accurately tell you when and where a sale was made, but it never fully encompasses why a sale was made. But at the end of the day, one thing is still true, the only sure fire way to make a sale is to tell someone that you have a product for sale. Marketing is just selecting how you’re going to tell someone about your product.
I’m not a marketing expert, but I know enough to get myself in trouble. So I’ve tried a variety of promotional vehicles that break down into three basic categories: on-line, print, and person to person. By far and away the most successful vehicles are person to person. People telling other people, or the author telling someone to go buy their book works better than just about anything else. (I once sold a book to my state representative when she came doorbelling for votes.) But in the end, you can’t reach everyone you might want to reach in person.
My print experience has been minimal and I think we can all agree that newspapers are dying, so I’ll just skip straight to on-line. I’ve tried Facebook ads & boosts, newsletter ads, and google ads, just to name a few. And in my experience, very few of these things work optimally alone. I get the best results when I do multiple things at once – run a sale and an ad, and then boost the sale on Facebook. This shotgun approach makes it hard to track the mythical beautiful data of click-throughs, but it is very clear when I take one channel away that sales dip. The hard part comes at the end, when I must assess the ROI (Return on Investment) and whether or the sales justify the expense of a particular marketing channel.
Each author must find what works for them. My only real words of advice are to keep trying. Keep talking. And keep writing. And by the way, have I mentioned that I have a book on sale? An Unseen Current – a great late summer read for only $4.99.