Creativity

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Is it Creativity or Goddess?

As someone who works in a creative field professionally, I’m endlessly interested in how creativity functions. Where does anyone get their inspiration?  Heck, where do I get my inspiration? The Greek idea of a muse—a goddess who comes by to inspire an artist—makes sense to me because sometimes ideas do feel external to myself.

Well, how did you come up with that?

Well, first I was doing the laundry while listening to Pandora (can’t get away from those Greek myths today, can I?) and the song used the phrase “bad for business” which reminded me of Risky Business, which made me think of Tom Cruise, and then I started to wonder why so many people were confused by the original Mission Impossible plot.  Thirty minutes later, I was jotting down an idea about what would happen if a demon burst through the floor of a non-profit fundraiser.  Basically, I came up with the idea by having a lived experience and feeding it all into the hopper of my brain and letting everything pinball around like one of those kid’s mower toys with the balls that go pop-pop-pop.

So You Live With that Brain All the Time?

I do!  And I like it!  I worry about people who can’t connect completely random dots.  Don’t they get bored just going from A to B to C?  It’s so much better to go A to Q to C to R.  But that’s not to say that creativity is just something that happens.  There are ways to lure the muse into the house and trap her in a box.

To be clear, I’m referring to a computer where my muse has full reign to create whatever she wants. We are not shoving women in boxes over here. (I never saw Boxing Helena, but I have been troubled by it since I read the back of the box in a Blockbuster in the 90s.  Who greenlit that?!  Don’t Google it.  You’re happier not knowing.)

The trick is to gather both the correct input (Read books! Watch movies! Experience the creativity of others!), and make sure I have the space and time to create. But probably my number one trick is to look for a problem to solve.

What problem?

I love James Bond, but when I wrote my first novel, there weren’t a lot of female spies in the marketplace.  So I solved that problem.  I wrote Bulletproof Mascara about a girl who starts by selling make-up and ends up saving the world. Check out my my full catalog to see what other problems I’ve solved.

BethanyMaines.com/catalog

A Little Larceny…

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Is it Larceny or Just Larcenous?

Short stories are their own art form and while I enjoy writing them, I will frequently wait for inspiration to strike rather than trying to force one into existence. And this year, I’ve only had one short idea that I wanted to work on—The Rage Cage.  However, once I do have a story, I really like to give it a chance to exist out in the world. Submitting a story is usually a long wait for a stack of rejections which may or may not be kind.  And usually I take a spreadsheet approach—pick my targets, check my deadlines, read all the lists, and be strategic about my submissions.  But this time I had barely finished The Rage Cage when I saw the deadline for this Larceny & Last Chances Anthology was quickly approaching. The fourth anthology from Superior Shores Press has a theme could not have been more perfect for my story. But even more desirable, the promised wait time between submission and rejection was only a few weeks. I leaped into action to get the story proof read and formatted per the instructions and turned it in. And then I had to wait…  Fortunately, The Rage Cage was accepted and I could breathe a sigh of relief.

Larceny & Last Chances features twenty-two stories that must include, yes, you guessed it, theft and a final chance at something.  In The Rage Cage my heroine Amber has a dog, a Dutch oven, and finally a plan.  Amber’s life has been complicated by poor choices, but when she realizes that she’s not entirely to blame for everything that’s gone wrong, she decides to pick herself up and steal her last chance at happiness and maybe sobriety.

The Superior Shores Anthologies have been nominated for multiple awards and I’m excited to have been included.  You can find all of the anthologies — The Best Laid Plans, Heartbreak & Half-Truths, Moonlight & Misadventures, and now Larceny & Last Chances –– at all book retailers.  (But here is a quick link to Amazon: https://amzn.to/3UmMrvV )

Larceny & Last Chances Anthology coverLarceny & Last Chances: 22 Stories of Mystery & Suspense

Edited by Judy Penz Sheluk

Sometimes it’s about doing the right thing. Sometimes it’s about getting even. Sometimes it’s about taking what you think you deserve. And sometimes, it’s your last, best, hope.

Featuring stories by Christina Boufis, John Bukowski, Brenda Chapman, Susan Daly, Wil A. Emerson, Tracy Falenwolfe, Kate Fellowes, Molly Wills Fraser, Gina X. Grant, Karen Grose, Wendy Harrison, Julie Hastrup, Larry M. Keeton, Charlie Kondek, Edward Lodi, Bethany Maines, Gregory Meece, Cate Moyle, Judy Penz Sheluk, KM Rockwood, Kevin R. Tipple, and Robert Weibezahl.

Release Date: June 18, 2024

Buy Link: www.books2read.com/larceny

Sasqwatch!

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The Sasqwatch Film Festival

Last year, I connected with a Canadian film director who was looking for a fast, funny, crime-centered short script. Of which I had… zero.  But what I did have was a stack of short stories.  So I transferred one of my short stories to script format.  He loved it, optioned it (that’s put it on hold in movie terms) and then produced it. It was a fantastic collaborative process and I loved seeing what he did with the script.  Once the short film was complete, it was submitted to a variety of film festivals (including Sasqwatch Film Festival).  Unfortunately, I wasn’t near to any of the festivals that accepted the film.  And I wanted to see MY movie on the big screen.

But finally…

Then it got accepted into the Sasqwatch Film Festival in Vancouver BC.  Which is well within driving distance for me in Washington State. So we farmed out the kiddo to my brother and invaded Canada!  And then, after four hours sitting down in the car, we sat down in a darkened theater and watched Suzy Makes Cupcakes and a slate of other shorts.

So, it’s about cupcakes?

No. It’s about crime. And cupcakes.  But mostly it’s about a woman who got married young to an abusive jerkwad who works for a crime syndicate.  Suzy wants out of the life and away from her husband, but how to do that? Well… you come up with a plan, you make some cupcakes and then you see where the day takes you.  But you do it all in twelve minutes or less because this is a short film after all. The short story version of the story made it’s debut at Noir at the Bar in Seattle and you can hear me read it in the recording from KUOW.

Was Sasqwatch everything you hoped?

Yes, actually it was. While it was a bit weird to hear people saying words that I made up, it was so fantastic to see it on the big screen. The director Jayson Theirren also flew into town and we got to meet in person for the first time.  Afterwards, we all got drinks and talked movies, movies, movies.  Then my partner and I went out for dinner, ate too much, and had a lovely evening out in Vancouver sans child. So basically, it was all that I hoped for and more.

Movie Making

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Movie poster for Suzy Makes CupcakesLet’s Make a Movie!

I’ve have often been told that I write “cinematically”.  I don’t know what that means exactly, but like most writers I’d love to have a movie made of one of my books. And for the past few years, I’ve been experimenting with writing scripts. I took a seminar on how to flip novels into scripts, bought a few books and worked on what are known as “spec” scripts.  Scripts that no one has commissioned, but you feel like writing anyway. I find that concept hilarious.  No one calls a writer’s unpublished novel a “spec” novel.  Although, I suppose that it is. I find the script writing process interesting, the format challenging, and the idea that I could see my work on the big screen exciting.

What I’ve Learned

Along the way I’ve found out some interesting things.  I’ve also found that a novella is about the perfect length to make a TV length movie.  A full novel is… a lot.  Which makes me even MORE impressed with those adaptations that managed to be something great or even come close to capturing the flare of the original novel.  For instance, I believe Brian Helgeland and Curtis Hanson who adapted LA Confidential  has earned a place in screenwriting heaven–James Ellroy’s novel was massive, sprawling and noir to the bone.  The movie managed to condense it down and make it acceptably noir to audiences (which is to say we had characters that we actually liked).  If you haven’t seen–go watch it.  If you haven’t read it… meh.  Only read if you like (well-written) dark heart of humanity stuff where no one is an actually good person.

I’ve also begun to question whether anyone in Hollywood actually reads.  With novels, an author finds a beta reader(s) to critique the book and then we polish it up.  After that we send off a synopsis and blurb and maybe a few pages to an agent or publisher, who probably has the intern vet the submissions (completely reasonable).  If it ticks their boxes they ask for the complete manuscript and read it.  With movies… You pitch something to someone (if you know the someone) based on a logline.  And if they like it you send in a one sheet with the blurb or synopsis and pitch it MORE.  But to get someone to actually reads the full script and give a critique or edits?  For that you have to submit to a contest or pay someone.  So novels have a more clear cut path forward and movies are a bit… scrap it out and hope you get lucky.

Successes so Far

But… I did get lucky! Through the help of a random friend on Twitter (or whatever it’s being called this week) I sold a script based on my short story Suzy Makes Cupcakes.  It is currently making the festival circuit and picking awards and nominations as it goes.  And now I have a credit on IMDB (Internet Movie Database).  How crazy is that? Suzy won’t be available to watch by the general public until next year, but if you want to read the story it was based on, you can check it out in Shotgun Honey: Recoil.

Have I learned anything else from making a movie?

I’ve learned that movies are far more collaborative than I even pictured.  I’ve learned that an actor can make something I wrote absolutely sing.  And I’ve learned that watching having something I wrote exist outside my head is a little bit trippy.  And I can’t wait to do it again.

Next Stop: The Islands

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Quote from An Unseen Current: This island is full of private little wars. Mostly it just pays to be polite and keep your head down.Ahhhh…. The Islands

Sounds so dreamy and vacation-y, doesn’t it? I’m working on book four of my San Juan Islands Mystery series.  A book that I have been swearing that I will get to for about three years. And I’m finally doing it! And good lordy do I hate the islands. It’s not vacation. It’s a slog.  All of which is completely unfair to the islands. It’s not their fault that I’ve been procrastinating.  Or that I named three different people Cooper.  Or that I chucked out at least three different plots before I got to this one.

So Whose Fault is it?

Oh.  Yeah. It’s mine.  But taking responsibility really throws off a good rant. Part of the problem is that past self did not set me up for success. At three books in, you would think that I would do what I usually do with a series – start a spreadsheet.  Keeping a spreadsheet of characters names, a general description, and what books they appear in really cuts back on how many people are named Cooper.  (We’re now down to one.  The other two got magical name changes.) But when I started the series I didn’t intend for it to be a series. It was supposed to be a fun standalone mystery about an ex-actress and her ex-CIA agent grandfather solving mysteries in the islands of Washington State. The problem is that Tish and Tobias Yearly are funny and fun to hang out with.  Also, they just keep finding bodies, so… they keep needing more books.  It is not my fault.  It’s theirs. Blame the Yearlys.

And What Are You Going to do About it?

Keep better notes? I really am trying this time.  I revived the spreadsheet.  Added all those extra people I forgot about.  And I’m swear I’m this close >< to being done with book 4 – An Unfinished Storm.  Tish and Tobias are battling life, love, and Hollywood and trying to keep a police detective from jumping to some very wrong conclusions.

a banner showing the 3 book covers for the San Juan Island Mysteries

If you’re interested in Tish and Tobias Yearlys journey through the San Juan Islands, you can find out more from all the usual book selling suspects or here: https://bethanymaines.com/sanjuanislandmysteries/

Alekos!

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Alekos Now Available!

Whew!  I’ve made it to summer and the final (for now) book of my Rejects Pack trilogy.  Alekos wraps up the storyline started in the books 1 and 2 (Hudson & Killian) in what I hope is a satisfactory conclusion.  Hint: I’m trying to tell you there’s a Happily Ever After without giving away any spoilers.

Challenges

This series tested my creativity in quite a few ways.  I actually started Alekos first and then went back and wrote the first two installments.  This created a challenge in that the first two books were therefore more honed in to their themes and where they had to end up in order for book three to make sense. But that also meant that I had to a fair bit of editing on Alekos in order to make all the little plot jigsaw pieces line up.

I also started it during the pandemic and then was faced with the decision to include or not include the pandemic in the text. I ended up choosing to include it but with only light mentions rather than as a plot point.  One of the most curious things about the 1918 Influenza epidemic is that it seemed virtually unmentioned in fiction of the time.  It was certainly influential as a theme, but most of us haven’t ever read a story that features masks or other remnants of that outbreak.  When that was first pointed out, I couldn’t understand why.  It seems notable and worth a short story or two to try and capture the moment.  I did write one Covid piece of short fiction based on the drag races that sprang up during the lock downs (Fireball Rolled a Seven – Crimecucopia Funny Ha Ha edition), but writers have seen very sharp opinions from readers about mentioning the pandemic in novels mostly they don’t like it.  Reading is for escape and bringing Covid back into the escapist fantasy isn’t always wanted.  However, it was one of the hurdles my heroine had to overcome, so I left it in without dwelling on it. Hopefully, readers now have had enough distance that seeing a mention of a mask in fiction won’t send them scurrying for the door.

What to Expect

But I think I rose to meet the challenges of crafting a Indiana Jones / The Mummy inspired series that gives magical new worlds, globe trotting adventures, and mythological beings, archaeological mysteries, and one very pissed off ancient Egyptian mummy(ish) person. And I can’t wait for readers to be able to share the complete (for now) adventures of the Rejects Pack.

Buy Now: https://amzn.to/3l32CAL

Learn more: Supernaturals

About Alekos:

Alpha wolf, Alexander Ash has forged a family dedicated to finding a cure for the magical wasteland that has stretched across Greece since the devastating Night of 1000 deaths. But on the brink of finally being able to right the wrongs fate has dealt, Alex meets translator Eliandra Smith and finds himself called to her in a way he can’t explain. But as Lia is swept into Alex’s world of mystical beings, magic, and deadly ancient wars, they soon discover that she is tied more closely to his past that she could have imagined. And Alex discovers she might also be the one thing that can kill them all.

 

 

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