Don’t Feed the Gremlins
The premise of my Carrie Mae Mystery series is that in the sixties, while other ladies were burning their bras and inventing Tupperware, Carrie Mae Robart founded a door to door / friend to friend cosmetic selling empire ā Carrie Mae Cosmetics. Her goal was to give women financial independence without having to work outside the home. However, the more women she met, the more she realized that there were some problems that couldnāt be solved with just money Āā some problems needed a fist in the face. So Carrie Mae set up the Carrie Mae Foundation. Financed by proceeds from the cosmetic sales, the foundation is part non-profit – working on pro-bono legal cases and lobbying government on womenās rights issues – and partly a women only, black-ops, elite fighting force. The heroines of my stories Nikki Lanier, Ellen Marson, Jenny Baxter and Jane Rozmarek are part of that force and they travel the world, fulfilling the Carrie Mae mission statement: helping women everywhere.
Now the thing youāll notice about this premise is that itās only partially based in reality. I mean, sure, itās possible for a woman in the 1960ās to found a peer to peer make up sales company. Not that I know of anyā¦ ahem. But sadly, it has apparently never occurred to anyone to found an elite fighting force for women as part their non-profit. (If someone knows of one, please email me immediately; I would like to join up.) The problem with all of this lack of reality is that I have to make it sound plausible when writing. And that means all the other bits have to sound real. I have to research the guns and the locations and I try to make sure that my characters emotions feel authentic. But if I spend too much time in reality, I suddenly look at my own premise and think, āThatās ridiculous! I canāt write that.ā
Thatās right; I tell myself, āI canāt.ā Those are some of the worst words in the English language. (Although, theyāre still not as bad as, āWe need to talk.ā) Iām two books and two short stories, and half a manuscript into a series, andā¦ I canāt? How does the Canāt Gremlin sneak into so many places? I thought I was well fortified behind the Walls of Fantasy; girded by the Armor of Gumption; defended by the Holy Force of Imagination. And yetā¦ I canāt. Why is it so hard to get that jerk of a gremlin out of the house? Canāt have an elite fighting force? You might as well suggest that a woman canāt write books. The cycle of Canāt can be extremely hard to break, so when I get too down in the Canāts, I like to read other peopleās books. Thereās nothing like a good trip through someone elseās imagination to leave the Canāt Gremlin in the dust. But still, I know heās just waiting around the corner to trip me up. Which is why I prefer to visit reality infrequently and for only brief periods of time. Feel free to visit me any time, but leave your gremlins at the door ā I canāt be bothered with Canāt today.